Darren T. Anderson
Tenor

Darren T. Anderson is currently singing lead tenor roles throughout the United States and Canada. This past summer, Darren made a debut with Boston Midsummer Opera as Don José in La Tragedie de Carmen. Additional recent debuts include Syracuse Opera as Camille de Rosillon in The Merry Widow, Connecticut Concert Opera as Lionel in Martha, the Chicago Cultural Center as Tamino in Die Zauberflöte; the Glimmerglass Opera as the Duke of Dunstable in their production of Gilbert and Sullivan’s Patience; and Boston Lyric Opera as the Lamplighter in The Little Prince. He has performed the roles of Don Basilio in Le nozze di Figaro with Granite State Opera; Belfiore in La finta giardiniera with the Opera Institute at Boston University; and Don José in La tragedie de Carmen with the Olney Theater in Maryland. In addition, he joined the roster of New York City Opera to cover roles in Il viaggio a Reims and The Little Prince. Darren spent recent summers as an apprentice artist with Glimmerglass Opera, Santa Fe Opera, and Des Moines Metro Opera. As a leading tenor, he has appeared in the title roles of Les contes d’Hoffmann and Roméo et Juliette, as Arrigo in Verdi’s I Vespri Siciliani with Opera In Concert in Toronto, and Ferrando in Così fan tutte. In his first year at the Boston Opera Institute, Darren sang the role of Don José in La tragedie de Carmen, Ernesto in Donizetti’s Don Pasquale, and reprised the title role in Roméo et Juliette.  Concert credits include the Verdi Requiem, Judas Maccabaeus, Puccin’s Messa di Gloria, and, most recently, the Mozart Requiem with the New York Choral Society. The coming year holds additional engagements with Sinfonia da Camera and Boston Midsummer Opera as the Italian singer in Der Rosenkavalier, and Ferrando in Così fan tutte respectively.  also, Boston Lyric Opera has engaged Darren this fall to cover the role of Don José and sing the role of Remendado in their production of Bizet’s Carmen. Mr. Anderson holds degrees in voice performance from the University of Wisconsin-Whitewater, the University of Illinois at Urbana-Champaign, and the Opera Institute at Boston University.